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Intermission… | Circus Freaks. Some words from our director, upon officially wrapping up a year of circus dinner theater. Buster Keaton once said that “the audience loves the slow thinker.”If that’s so, I’m clearly lovable. I say this not out of ego, but because something significant just occurred to me while sitting here working on all the to- do list items that go along with tearing down a year of circus dinner theater. Most of my life is lived a bit like a freight train. The fervor to work on the next exciting thing often means missing out on taking a moment to acknowledge the important milestones. I arguably love the work more than I love getting recognized for doing it, so for me living at this pace and passion level simply makes sense. Freak translation french, English - French dictionary. (-ive) m/f acharn. → I remember the first time I went onstage. I freaked out completely. Lyrics to 'Freaks Like Me' song by TODRICK. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z # Search. MP3 Email Print 'Freaks Like Me' lyrics. TODRICK. for the first time I'm loving who I be Turn it up for all the. Buy Was (Not Was) Out Come the Freaks Mp3 Download. Buy & Download Cheap Mp3 Music Online. Help | Site Map. Tell Me That I'm Dreaming (12'' Remix) 7:47: 239: 13.33. First time here? Create an account! FAQ; Support. As I sit here paused for a moment, elbows and ankles deep in post- show paperwork, tech and to- do list items, I finally understood why people asking me, “Well, what next?” (in regards to my post- Salmagundi plans) was hitting me in such a weird way. This moment doesn’t just mark the end of a year of work. It actually marks the end of a continuous cycle of creativity, development and production that’s lasted about *five* years. And that is the staggering realization where I finally caught up to the elephant in the room. Back in 2. 01. 1, a plucky band of idiots and I jumped head first into a new challenge: The creation and running of a weekly variety show of dubious and cultish reputation. The beast grew weird and mighty, eventually having launched, featured and honed thousands of acts. The 8. 00 lb gorilla in question ran full speed for about four- and- a- half years, until I made the difficult decision to find out what it was like to properly finish a thing rather than just letting it end.**Emotionally charged, but highly recommended. It taught me how to make difficult speeches, say goodbye with grace and write a proper finale. While creating the weekly dose of weirdness that became a typical Monday night, we unfathomably built an ensemble which I am further unfathomably privileged to direct. This team, largely out of necessity, became very good at creating theater with a near- military efficiency. . m/f de la sant é. → I remember the first time I went onstage. I freaked out. vt to freak sb out déboussoler qn → I think our music freaks people out sometimes. Traduction Dictionnaire. Eventually we grew bold enough to stick our toes outside our safety net, and quickly found ourselves working on multiple theater projects simultaneously. Which, by way of two narrative physical theater projects, countless hours in workshop as both student and teacher, enough ‘gigs’ to eek out money for ramen, and the circus dinner theater project we just wrapped, brings us back to now…and my finally getting perspective on the question of, “What next?”After all, from the outside looking in it’s the first time we’ve so much as paused in half a decade. To put the matter to rest: Relax.
The view inside my head looks quite different than your worries.**I may have written this entire diatribe just to use this sentence in context. To be honest, I genuinely thought I might take a vacation once the dust settled on Salmagundi. Instead, I find myself doing even more of what I love to do…creating weird acts of theater and moments of professional- grade whimsy with my friends. While I can’t share everything on the Circus Freaks development board just yet, rest assured it is currently nurturing the seeds of more than a half dozen new projects. We’re also scheduled to be appearing at a string of public events. Keep an eye here for announcements as they happen. The break in routine does mean I get my version of me time: I’m once again an old dog learning new tricks. In truth, all of our performers have been leveling up lately…I suspect I’m just trying to keep up. Along those lines, I applied for a writing intensive this summer with Spymonkey, and was accepted. I’m excited to both learn from these masters, and return to the performer’s holy land that is the Celebration Barn Theater. In short, this moment isn’t a break in anything but rhythm. If you’re still worried, please consider the moment an intermission and grab something from the snack bar. Selah,Russ Sharek. Director, Circus Freaks. P. S. – If you’ve been interested in collaborating, now is great time to reach out!
Underworld: Unrated Extended Cut - Horror. Talk. Underworld: Unrated Extended Cut DVD Review. Written by Eric "The Hitman" Strauss. DVD released by Columbia/Tristar Directed by Len Wiseman. Additional scene 0:18:09: The Extended Cut (EC) features a camera pan to a turn-switch. 3,76 sec. Extended scene 0:18:22: The back view of Singe is about half a second longer in the Theatrical Version (TV), but the EC shows a. Amazon.com: Underworld (Unrated) [Blu-ray]: Michael Sheen, Bill Nighy, Kate Beckinsale, Scott Speedman, Len Wiseman, Tom Rosenberg, Gary Lucchesi, Richard Wright, Lakeshore Entertainment Corporation: Movies & TV. ![]() Written by Danny Mc. Bride. 20. 03, Region 1 (NTSC), 1. Unrated. Starring: Kate Beckinsale as Selene. Scott Speedman as Michael. Michael Sheen as Lucian. Shane Brolly as Kraven. Erwin Leder as Singe. Bill Nighy as Viktor. Review: Watching a movie is an experience, and every viewer has something that can make that experience enjoyable. For some people, a good movie makes them think. It leaves them talking for hours afterward. It draws out the emotions they keep inside. Underworld is not the movie for those people. Underworld is a movie for people who find joy in the sheer beauty of film, for those who can look past its flaws and appreciate what it has to offer: Striking visuals and visceral action. But despite its lush, blue- tinted style, this big- budget action/horror film will be remembered more for the potential it wasted than the look it achieved. Because this is a movie about a war. Vampires vs. werewolves. Say that again. Vampires vs. A centuries- old war between nightmare creatures in its waning days, fought in the underbelly of a modern, gothic city. A horror fan’s dream. But far too often, that dream goes wrong. Strong dialogue could make sense of a convoluted plot. But the dialogue is drab. Good acting could redeem weak dialogue. But the acting is wooden. A strong plot could carry lesser actors. But the plot is confusing. A vicious circle, like the full moon, shapes whatever might have been into a raging monster. Powerful. Spectacular. Mindless. Out of control. And that relegates Underworld to the realm of horror failures — this one more painful than most. Because, my God, is Underworld gorgeous. Cast in hues of blue, silver, black and blood red, the visuals are almost indescribably stunning. And the action is a perfect fit: Leather- clad gunslingers with liquid- silver ammunition and piercing blue eyes. Growling, glowering “Lycan” beasts stalking their prey. Every scene, there is color. Every scene, there is beauty. But then, inevitably, someone speaks, and the image director Len Wiseman has crafted is shattered. First, half of screenwriter Danny Mc. Bride’s lines feel like exposition to explain the plot. And while his heart is in the right place — the chaotic story he crafted with Wiseman and actor Kevin Grevioux certainly needs some explaining — the sights and thrills can be enjoyed without the clutter. And then, Wiseman’s substance fails his style. In his first feature film, the director shows someone with his art and commercial/video background can easily craft a great visual (with help from director of photography Tony Pierce- Roberts) and build an edge- of- your- seat action sequence. But he cannot lift his cast above the level of their material. Wiseman’s actors, led by Kate Beckinsale (Pearl Harbor) as the death- dealer vampire Selene, are as beautiful as the film. But not one demonstrates more than three facial expressions, the most prevalent being “confused” — apparently, to match the audience. Beckinsale, who has plenty of talent, is like the little girl with the curl in this performance: When she is good, she provides what little subtlety there is to the film, but when she is bad, her range is limited to “defiant” and “frustrated.” Meanwhile, Scott Speedman, whose human Michael is the Romeo to her Juliet, chooses simply “dazed.” Other major players — including Michael Sheen and Shane Brolly as the leaders of the warring clans — try “determined,” “imperious” and even “startled” with varying degrees of success, but none masters the nuances that might have saved the film. Among the supporting cast, at least Sophia Myles, playing Selene’s pouting rival Erika, has “conniving” down to a science. Combine that with her arresting looks, and she can claim a memorable supporting turn. So, too, can Grevioux, whose menacing build and shockingly deep voice make his Raze the most ferocious of the Lycan horde. To his credit, Wiseman uses his actors’ strengths to best advantage in many of his setpieces. The attractive Beckinsale (who left Sheen, her real- life love, for the director) wears her leather well, making her the literal poster child for the movie. Scott Mc. Elroy, who plays the right- hand man to Brolly’s vampire Kraven, puts his sneer to good use when he breaks out a pair of whips to duel Raze. And if Sheen drew any benefit from losing the love game, it is that he can play “rueful” well, so the Lycan chief Lucian garners sympathy at the end, when he needs it most. But these moments of brilliance, these moments of poetic violence and freeze- frame grace, never serve the greater whole. And that is the movie’s greatest flaw. There are some movies that just demand to be seen. Underworld takes that literally. It is the textbook definition of a feast for the eyes, as gorgeous a film as any that has appeared in recent years. It is a movie made for DVD, the pause button and high- definition televisions. Sadly, that’s the only reason horror fans should consider this film — unless they’re masochists who want to think of the concept and ponder what might have been. Movie grade: C- . By one way of thinking, Underworld is tough to beat. It has style, period. No doubts whatsoever. But all too often, the movie is just a beautiful, empty shell. Video and Audio: Underworld’s highly stylized images test the limit of the DVD medium and the equipment used to watch it. And 9. 0 percent of the time, the picture is exactly what it demands: Razor- edge sharpness, deep blacks, vivid colors. The problem is the other 1. First of all, the source material has grain and spots that lend a film- like look, but stand out when compared with some clean, reference- quality transfers. And even if that look is intentional, there are times when Underworld stretches technology past its limits: some blacks don’t quite hold up; some red- hued scenes jar. These are minor flaws, and they are, ironically, made more apparent by the quality of theremainder of the film. Unlike those in some compiled- for- DVD extended cuts, however, the added scenes are blended seamlessly, and don’t stand out. Video grade: A- . Not quite perfect, but it still looks so good.. If Underworld’s picture falls just short of the ideal, the 5. Bullets fly throughout the film, and when they do, the sound of the gunfire rips around the speakers, just as the creators of surround sound intended. Music and effects are used well; dialogue is crisp and clear. This is a surround mix that lives up to the name in every way. Underworld is an enveloping aural experience. A French audio track and English and French subtitles are available. Audio grade: A+. Reference- quality sound, just as it should be for a recent major release on a high- profile DVD. Special Features: The main extras on disc one of the two- disc set are an audio commentary with Wiseman, Beckinsale and Speedman and the 4. Fang vs. Fiction” featurette. The commentary is a typically good- humored group reminiscence, but the three have a great time and manage to convey quite a bit of behind- the- scenes information amid the jokes and ribbing. Speedman actually leaves part way through because he has an audition, but Wiseman and Beckinsale carry on without him. The pair actually convey more information in the second half — no doubt attributable to the chemistry that eventually made them husband and wife. It should be noted that, however the off- camera love- triangle played out, the two are highly complementary of Sheen’s performance.) And they are certainly pleased with the finished product, speaking eagerly about the upcoming sequel.“Fang vs. Fiction” is not so much about the movie as the ideas that inspired it. It is actually a pseudo- documentary that takes a “real- world” look at the vampire and werewolf legends, featuring authors, science, the obligatory clips from the film and even a fellow who claims to be a werewolf. There is a lot of interesting information, but the stance that the undead are real and the overblown ties to the film leave plenty of doubt as to what is actual history and what is simply used for effect. The first disc also includes the trailer, which shows the best side of the movie; two TV spots (one of which looks awful); a short, typically funny outtakes reel; and trailers for three other high- gloss releases: Hellboy, Resident Evil: Apocalypse and Spider- Man 2. The second disc is where the seven featurettes focused on the movie itself are found: “The Making of Underworld,” “The Visual Effects of Underworld,” “Creature Effects,” “Stunts,” “Designing Underworld,” “The Look of Underworld” and “Sights and Sounds.” Fortunately, there is a “play all” option, and that essentially turns the 1. Though there is padding — several sets of intros and credits, plus plenty of fairly repetitive film footage — there are also many interviews with the cast and crew and glimpses behind the scenes. The featurettes, except the general “Making of,” are heavily focused on the actual production of the film and, given the movie’s style, that is a real plus. The visual and creature effects featurettes may be the most interesting, giving an inside look at what may have been Wiseman’s best decision: to use prosthetics and high- tech suits for his werewolves, rather than computer graphics, which lends a terrific edge to his creatures throughout the film. In addition, the CGI is excellent where used, allowing such important scenes as werewolf transformations to blend seamlessly with the live action. The stunts featurette is also a real attention- getter, highlighting the work done by Brad Martin and his team, including assistant and erstwhile actor Mc. Elroy, who trained Beckinsale, and was one of several stuntmen to land a supporting role. Underworld (Unrated) [2. Tunes. Top Critics' Reviews. Rotten: The sort of movie in which the head vampire telegraphs his evil by using a cell phone and dressing like the Kinks' Ray Davies in the early '8. Owen Gleiberman, Entertainment Weekly, Jul 7, 2. Rotten: 'Your incompetence is most taxing,' says the chief vampire (Bill Nighy). A line that pretty much nails this rusty Blade. Peter Travers, Rolling Stone, Nov 2. Rotten: Features some of the year's most laughable dialogue. Claudia Puig, USA Today, Jun 2. 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